He knows that hubris can lead to a downfall that could be literally deadly.ĭAISHER: When you’re flying a parachute, you’re just dust in the wind. But unlike the ancient greek tale of Icarus, Miles is humble when it comes to his own knowledge. HOFFMAN: Miles has done over 8,500 skydives and 5,000 BASE jumps. I’m ready to do this.” That’s pretty much all we think about when we drive around tall objects: “We could jump off of it. We’re all a little hungry and just kind of running around like, “I want to jump off this. In fact, his idea of an early morning pick-me-up is to climb to the top of a really high place… and then leap right off it.ĭAISHER: In our sport, we’re all a little type A. REID HOFFMAN: I hope you’ve had your coffee today.
Just keep the nose up,” – and skip, skip, skip, skip – “Yeah.” My name is Miles Daisher, I’m a professional parachutist, Eagle Scout, BASE jumper, and friend of the community. Coming in about to touch the water going, “It’s too fast. I’ve landed a skyak in front of about 60,000 people in Pittsburgh once, doing about 65, 70 miles an hour.
While these titles don't necessarily flatter their subjects, there is a tendency to portray companies as game-changers that are ultimately beneficial - the shows don't always confront serious issues, such as struggling artists or unhappy taxi drivers.MILES DAISHER: It’s a new sport called skyaking. That's not including earlier media like The Social Network or Steve Jobs. There's been a string of fictionalized movies and shows about technology companies as of late, ranging from Apple's WeWork drama through to Showtime's Uber production. For that matter, it's wrong in casting legal music streaming as an entirely novel concept at the time. There's no talk of low or unpaid royalties in the trailer. The trailer does acknowledge concerns about Spotify's pay-per-play business model, but characterizes them as minor headaches - in this take, artists are simply thankful their concerts don't end up on The Pirate Bay. Whether or not The Playlist is entertaining, there are concerns it may paint a largely one-sided view of Spotify's success.
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